38¾ x 59 1/2 in (98.4 x 151.1 cm) (framed)
William Anderson British, 1757-1837
Provenance
Sale, Sotheby's London, 31st May, 1989, Marine Pictures, Nautical Works of Art, Classic Yachts and Boats, lot 132.
with Leger Galleries, London
Sale, Sotheby's New York, 7th June 1991, Sporting and Marine Paintings and Sculpture, lot 148.
with Lane Fine Art
J. W. Robertson Esq. (bought from the above, 1991)
Sale, Bonhams London, 9 July 2014, The John Robertson collection of marine paintings
Private collection
The Battle of the Nile, which took place in August 1798, was one of the greatest naval triumphs in British history. It was here when the British fleet, commanded by Rear Admiral Sir Horatio Nelson, achieved a decisive victory over the French Mediterranean fleet, led by Vice-Admiral François-Paul Brueys d'Aigalliers
The battle followed Nelson's unsuccessful attempts to prevent Napoleon Bonaparte's invasion of Egypt – part of a broader strategy to weaken British influence by threatening its commercial and imperial connections with India. To support the expedition, the French fleet transported troops to Egypt before anchoring in the seemingly secure waters of Aboukir Bay, near Alexandria. Nelson had spent several months searching the Mediterranean for the French fleet, narrowly missing it on several occasions. When the British finally located the French on 1 August 1798, Nelson acted immediately, despite the approaching evening and the risks associated with attacking an anchored fleet in unfamiliar waters.
Although the French occupied a strong defensive position, with their line of battle anchored close to shoal water and supported by powerful ships (including the 120-gun flagship L'Orient) Nelson recognised a crucial weakness: the French had not prepared their landward sides for attack. This was because Brueys had believed that the shallow water would protect his flank from attack. Nelson, however, recognised that there was sufficient room for some of his ships to sail between the French line and the shore, enabling a simultaneous attack from both the seaward and landward sides.
Seizing the element of surprise, he ordered an immediate assault despite the late hour. At around 6.00 p.m., with only two hours of daylight remaining, the British fleet entered the bay. This innovative tactical decision disrupted the French formation and subjected individual ships to overwhelming British fire. The initiative, combined with superior British gunnery, proved decisive and effectively destroyed French naval power in the Mediterranean.
The triumph earned Nelson widespread acclaim and lasting admiration from both the general public and fellow naval officers, becoming an enduring symbol of British naval dominance. Nelson's leadership demonstrated the Royal Navy's emphasis on initiative, disciplined gunnery, and decisive offensive action, qualities that would later characterise his victory at Trafalgar in 1805. The battle was widely celebrated in Britain through official reports, medals, paintings, literature, and public commemorations, contributing to Nelson's emergence as a national hero.
The most famous image associated with the battle is the spectacular explosion of the French flagship L'Orient. After catching fire during intense fighting, the flames reached the ship's powder magazine at about 10.00 p.m., causing a catastrophic explosion with devastating casualties and a severely weakening of French morale and command. In fact, the blast was so immense that it was seen from Alexandria and heard many miles away, making it one of the most dramatic moments in naval history. Consequently, many artists chose to depict this event.
However, in the present work, the focus is on a much less familiar but equally remarkable episode: the grounding and rescue of HMS Culloden.
During the battle's later stages, as Nelson's remaining ships moved into action, Culloden, commanded by Captain Thomas Troubridge, struck an uncharted shoal near Aboukir Island and became firmly stranded. Unable to join the fighting, the ship fired distress signals, prompting HMS Leander to turn back and help. Meanwhile, officers and crew worked tirelessly in small boats, attempting every possible method to free the stranded vessel.
Despite their efforts, Culloden remained aground throughout the battle and took no active part in the victory. Troubridge and his crew battled through the night to prevent the ship from sinking, overcoming one crisis after another. When dawn broke on 2 August and Culloden was still afloat, the fleet greeted the news with cheers. The rescue effort continued for over two weeks before the vessel was finally seaworthy enough to sail to Naples, where extensive repairs—amounting to 849 man-days of labour—restored her to full service.
Although overshadowed by the wider victory, the preservation of Culloden became one of the Royal Navy's great stories of endurance and determination. Nelson himself was determined that the ship should not be lost.
This painting is thought to commemorate this heroic rescue rather than the battle itself. It closely resembles one of a series of Battle of the Nile engravings by Anderson and may well have been commissioned by Captain Troubridge as a personal reminder of his successful struggle to save both his ship and his honour.