Francis (Frank) Owen Salisbury was an English artist who specialised in portraits, large canvases of historical and ceremonial events, stained glass and book illustration. In his heyday he made a fortune on both sides of the Atlantic and was known as ‘Britain’s Painter Laureate’. His art was steadfastly conservative and he was a vitriolic critic of Modern Art – particularly of his contemporaries Picasso, Chagall and Mondrian. His father, Henry Salisbury, described himself as a plumber, decorator and ironmonger, yet his son Frank would become one of the greatest artists of his generation.


One of 11 children, Salisbury was such a delicate child that he was educated at home mostly by his student teacher sister, Emilie. He had only a few weeks formal schooling and began work by repairing bicycles at his father’s Cycle Depot in Harpenden. Uncertain as to his ability to find and maintain a job, the family determined that at the age of 15 he be apprenticed to his eldest brother, Henry James Salisbury, who managed a major stained glass company at Alma Road in St Albans. He rapidly acquired all the practical skills of a stained glass artist and exhibited exceptional skills in the painterly detail that was applied to glass before its final firing. This led to his brother sponsoring him to attend Heatherley’s School of Art three days a week to further a career in painting. He then won a scholarship to the Royal Academy Schools which he attended for five years. Here he won two silver medals and two scholarships, including the Landseer scholarship which funded his travel to Italy in 1896. In due course he would have seventy exhibits accepted for the annual Royal Academy Summer Exhibitions, from 1899 until 1943, though he was never offered membership.


In 1901 he married Alice Maude, daughter of C. Colmer Greenwood, with whom he had several children, including twin daughters Monica and Sylvia. His first Royal Academy exhibit was a portrait of Alice and he often painted pictures of their children.


Salisbury is best known for his portraiture and would paint his own twin daughters every morning for an hour, this is where his speed in producing portraits stemmed from. His career began with child portraiture and his painting the Hertfordshire gentry and members of the Harpenden Methodist Church. Salisbury had a studio at his home, Sarum Chase and a providential meeting with Lord Wakefield, founder of Castrol Oils and Methodist philanthropist, saw his introduction to society portraiture. Salisbury being selected to paint the ‘Boy Cornwell in the Battle of Jutland’ brought him to the notice of Royalty and Lord Wakefield arranged for him to paint President Woodrow Wilson whilst he was in London, but Wilson departed for Paris and the opportunity was lost. It was to be John W. Davis, American Ambassador to London, who encouraged Salisbury to go to the USA. Davis had met Salisbury at art receptions and had admired his child portraits.

Twenty-five members of the Royal House of Windsor sat for Salisbury and he was the first artist to paint Her Majesty Queen Elizabeth II. In 1919 he painted a mural for the Royal Exchange, London ‘National Peace Thanksgiving Service on the steps of St Paul’s Cathedral, 6th July 1919’.


He painted Winston Churchill on more occasions than any other artist, the two iconic images of Churchill – ‘The Siren Suit’ and ‘Blood, Sweat and Tears’ are both Salisbury images. Mayoral regalia was a ready made requisite for the Salisbury style with Councillor Sam Ryder, of Ryder Cup fame, as Mayor of St Albans being the most famous of his civic images.

Other significant portraits include those of Richard Burton, Andrew Carnegie, Sir Alan Cobham, Sir Robert Ludwig Mond, Maria Montessori, Montgomery of Alamein, Earl Mountbatten of Burma, Benito Mussolini, John Player, Lord Rank, Jan-Christiaan Smuts and Sir Henry Wood.


Salisbury was remarkably successful in the USA where he was deemed to have fulfilled the ‘American Dream’. He made thirteen visits, basing himself in Washington DC, Chicago and New York City, where his portraiture would be a roll call of American wealth. He painted six Presidents with his Franklin D. Roosevelt remaining as the official White House portrait to this day. Industrial and financial giants who sat for him included Henry Clay Folger, Elbert Henry Gary, Edward Stephen Harkness, Will Keith Kellogg, Andrew William Mellon, John Pierpont Morgan, George Mortimer Pullman, John Davison Rockefeller Jr and Myron C. Taylor.


Salisbury produced several self-portraits including depicting himself whilst painting the 1937 Coronation and him being Master Glazier in 1934.


Salisbury’s great forte was in his painting of over forty large canvases of historical and national events, a field in which he was virtually unchallenged until 1951. The two most significant of these are ‘The Heart of the Empire – the Jubilee Thanksgiving in St Paul’s Cathedral 1935’ and ‘The Coronation of their Royal Majesties King George VI and Queen Elizabeth 1937’.


One of the great ironies of his art is that, although he was to all intents and purposes a pacifist, his introduction to Royalty, the aristocracy and overseas politicians came as a result of his war art, particularly his posthumous portraits of the fallen in the First World War. The large canvas of the ‘Boy Cornwell’ was followed by ‘The King and Queen visiting the Battle Districts of France’. It was Salisbury who was required, by Royal Command, to paint two large images of ‘The Burial of the Unknown Warrior’ for the first Remembrance Day. War memorials followed on from this. During the Second World War he was required to paint ‘The signing of the Anglo-Soviet Treaty’ and one of his most endearing images is ’The briefing of an Air Squadron’.


A matched pair of his pictures are in Walsall Town Hall’s theatre. They were commissioned by Joseph Leckie “to commemorate the never to be forgotten valour of the South Staffordshire Regiments in the Great War 1914-1918” and completed in 1920. One shows “the First South Staffordshire’s attacking the Hohenzollern Redoubt”, the other “the 5th South Stafford’s storming the St. Quentin Canal at Bellingtise Sept 29th 1918”.


Salisbury was a Methodist who took his faith seriously and always considered his gifts to be God given. He manifested the Protestant work ethic and the Non-Conformist conscience producing many works for the mainstream denominations, in particular Methodism and the Salvation Army. He painted posthumous portraits of historical Methodist figures with perhaps his best known image being that of John Wesley in his house in London. Salisbury arranged and paid for the restoration of Wesley’s House in 1934 which stood the test of time for sixty years. He lived an alcohol free lifestyle and was firmly in favour of Prohibition in the USA. Salisbury refused to work on Sundays and many of his associates including Pierpont Morgan, Lord Wakefield, Will Kellogg and Andrew Mellon were both rich industrialists and Christian philanthropists. He bequeathed Sarum Chase in trust to the British Council of Churches. However, the BCC sold the mansion and auctioned its contents. His range of portraits stretched from Billy Graham to four Salvation Army Generals, to Pope Pius XII.


But it was stained glass that remained his favourite, though not his most profitable, art form. One of his earliest pieces of stained glass is the east window of St. Michael and All Angels Church, Bassett, Southampton. It depicts Christ, knights and angels.


Thirty-four windows have been confirmed as being designed by him with the largest collections being at Wesley’s Chapel in London, the former National Children’s Home Chapel in Harpenden, and the Forest Hill Methodist Church in London. All of his glass was installed in England with three notable exceptions in Medak Cathedral in India. He was elected Master of the Worshipful Company of Glaziers and Painters of Glass in 1933.


The copyright of all his paintings, bar two, is held by the Estate of Frank O. Salisbury. Authorised images appear in some books. Significant collections of his work are held at the Chicago Historical Society, National Portrait Gallery in London, New York Genealogical and Biographical Society, The Royal Air Force Museum in London, as well as at Wesley’s Chapel in London and the World Methodist Headquarters in North Carolina.